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The Hungarian mezzo-soprano and singing teacher (and contralto), Julia [originally: Júlia] Hamari, studied to play piano as a child. However, she turned to train her voice with the Turkish singing teacher Fatime Martins and Jenö Sipos in Budapest. She continued her training at the Budapest Academy of Music finishing with diploma as both singer and a singing teacher. In 1964 she won the Erkel international singing competition in Budapest. She then completed her studies from 1964 to 1966 at the Stuttgart Hochschule für Musik.
In 1966 Julia Hamari made her debut as a soloist in J.S. Bach’s Matthäus-Passion (BWV 244) in Vienna under Karl Richter. In the same year she sang the Alto Rhapsody of Johannes Brahms under Vittorio Gui in Rome. Thus launched a shining career in the concert hall for the young artist. As an oratorio and Lieder singer she appeared all over the world with great successes. She sang with important conductors as Herbert von Karajan, Sergiu Celibidache, Rafael Kubelík, Georg Solti, Karl Böhm und Pierre Boulez. In 1967 she made her USA debut as a soloist with the Chicago Symphony Orchestra. Her sovereign control of the singing technics arise with special success in the classical arias for coloratura alto. On the concert podium she performed works of J.S. Bach, L.v. Beethoven, Gustav Mahler, Monteverdi, George Frideric Handel, W.A. Mozart's, Rossini and Verdi.
In addition Julia Hamari mastered an extensive opera repertoire, from which numerous roles on records were taken up. She made her opera debut in 1967 at the Salzburg Festival as Mercedes in Georges Bizet's Carmen, and the following year she appeared in Stuttgart as Carmen. Since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. During the season 1973-1974 she was engaged at the Deutschen Oper am Rhein Düsseldorf-Duisburg.
Julia Hamari’s international career brought her under Herbert von Karajan to the Salzburg Festival and with W.A. Mozart's and Rossini roles to the most important opera houses of the world, such as Milan’s La Scale, London’s Covent Garden, and Vienna State Opera. In 1979 she appeared at the Glyndebourne Festival as Celia in La fedeltŕ premiata by J. Haydn. In 1980 she could be heard at the Maggio musicale Florenz as Orpheus by Gluck, in 1984 at the Dallas Opera as Dorabella in Cosě fan tutte, in 1984 at the San Francisco Opera and in 1986 at the Grand Opéra Paris as Angelina in La Cenerentola by Rossini. In April 1982 she made her Metropolitan Opera debut in New York as Rossini’s Rosina (Il Barbiere Di Siviglia) [2 seasons (1981-82, 84-85), 16 performances, 2 works]. There she sang Dorabella, and later Despina in W.A. Mozart's Cosě fan tutte. At the Opera House of Cologne she appeared as Sesto in La clemenza di Tito by W.A. Mozart, at the Covent Garden Opera London as Cherubino in Nozze di Figaro, at Milan’s La Scala and the Staatsoper Stuttgart as Sinaide in Rossini’s Mosč in Egitto. On the occasion of her 50th Birthday she sang in 1992 in Budapest concert performance of Bellini’s opera I Capuleti ed I Montecchi the role of Romeo. Among her important operatic roles are Cherubino, Dorabella, Cerenentola, Carmen and Octavian.
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. Her concert and Lieder repertoire extends from Monteverdi to Verdi. She is particularly admired for her J.S. Bach performances and has sung the alto part in almost 30 of Helmuth Rilling's recordings of the complete J.S. Bach's Cantatas and a dozen of J.S. Bach's Cantatas with Karl Richter, as well as numerous recordings of J.S. Bach’s vocal works with other conductors.
Julia Hamari participated in numerous recordings: Electrola (Matthäus-Passion (BWV 244) by J.S. Bach), DGG (Fatime in Oberon by Weber, Il matrimonio segreto by Cimarosa, Giulio Cesare by G.F. Handel, Roméo et Juliette by Berlioz, W.A. Mozart's’s Requiem, Mass in C major by L.v. Beethoven), RCA (Ernani by Verdi), Philips (Tito Manlio by W.A. Mozart's, J.S. Bach's Cantatas), HMV (Cavalleria rusticana, I Puritani by Bellini, 9th Symphony of L.v. Beethoven), CBS (Mass in B minor (BWV 232) and Matthäus-Passion (BWV 244) by J.S. Bach), Hungaroton (Title role in Orpheus by Gluck, Stabat Mater by Giovanni Battista Pergolesi, Don Sanche by Franz Liszt, Mosč in Egitto by Rossini), Telefunken (Prima la musica by A. Salieri), RCA (9th Symphony of L.v. Beethoven), Decca (Hänsel und Gretel, Eugen Onegin, Meistersinger), Teldec (Czipra in Zigeunerbaron); Topaz-Video (Eugen Onegin from the Munich opera, 1972).
Since 1989 (or 1993) Julia Hamari has been Professor at the Musikhochschule Stuttgart is an acclaimed voice teacher. Among her many pupils and/or singers who have attended her master-classes: Marcell Bakonyi (Bass-Baritone), Kornélia Bakos (Mezzo-soprano), Péter Bárány (Counter-tenor), Gábor Bartinai (Bass), Coert van den Berg (Bass-Baritone), Gábor Bretz (Bass), Andrea Csereklyei (Soprano), Birgit Görgner (Contralto), Marion Eckstein (Contralto), María Espada (Soprano), Stefanie Fels (Soprano), Daniele Gaspari (Tenor), Patrick Van Goethem (Counter-tenor), Szabolcs Hámori (Baritone), Sylvia Hamvasi (Soprano), Fumiko Hatayama (Contralto), Donát Havár (Tenor), Melinda Heiter (Mezzo-soprano), Martin Hummel (Baritone), Claudia Iten (Mezzo-soprano), Krisztina Jónás (Soprano), Renate Kaschmieder (Mezzo-soprano), Beate Koepp (Contralto), Martina Langenbucher (Mezzo-soprano), Dagmar Linde (Contralto), Manuela Mach (Contralto), Christoph Metzger (Tenor), Dorothee Mields (Soprano), Bhawani Moennsad (Mezzo-soprano), Jina Park (Mezzo-soprano), Rita De Plancke (Contralto), Patrick Pobeschin (Baritone), Gerhard Radatz (Bass), Theodora Raftis (Soprano), Paola Roggero (Soprano), Cornelia Sander (Mezzo-soprano), Alexander Schmidt (Baritone), Atala Schöck (Mezzo-soprano), Peter Schüler (Baritone), Máté Sólyom-Nagy (Baritone), Kerstin Steube-König (Soprano), Zsuzsi Tóth (Soprano), Anke Vondung (Mezzo-soprano), Katharine Hannah Weber (Soprano), Christine Wehler (Contralto), Dominik Wörner (Bass-Baritone). |
