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Recordings & Discussions of Other Vocal Works:
Main Page
| Motets BWV 225-231
| Mass in B minor BWV 232
| Missae Breves & Sanctus BWV 233-242
| Magnificat BWV 243
| Matthäus-Passion BWV 244
| Johannes-Passion BWV 245
| Lukas-Passion BWV 246
| Markus-Passion BWV 247
| Weihnachts-Oratorium BWV 248
| Oster-Oratorium BWV 249
| Chorales BWV 250-438
| Geistliche Lieder BWV 439-507
| AMN BWV 508-523
| Quodlibet BWV 524
| Aria BWV 1127
| Motet BWV 1165=Anh 159
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Jesu, Joy and Treasure (Motet) [V-1] |
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Motet Jesu, Joy and Treasure, BWV 227, sung in English [26:06]
1. "Jesu, Joy and Treasure" [1:56]
2. "There now is nought of condemnation" [3:39]
3. "While Thine Arms are round me" [1:38]
4. "For the law of the Spirit of life in Christ" [1:18]
5. "Hence! thou noisome Spirit!" [2:35]
6. "Ye are not in the flesh, but in the Spirit" [2:55]
7. "Nought on earth is lasting" [1:38]
8. "Though Jesus Christ in you abide" [2:14]
9. "Farewell, all that’s mortal" [4:08]
10. "But if in you God’s Spirit" [2:06]
11. "Banish fear and sadness" [1:43] |
Charles Kennedy Scott |
Bach Cantata Club |
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HMV D-1256
HMV E-459 |
Mar 3, 1927 |
2 X 10" 78 rpm +
2 X 12" 78 rpm |
Recorded at Kingsway Hall, London, England.
Matrix Nos.: 4775.
1st recording of any portion of a Bach motet. |
2 |
Bach: Motet Lobet den Herrn, alle Heiden BWV 230 [V-1] |
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Motet Lobet den Herrn alle Heiden, BWV 230 [] |
Francis Bodet |
Cercle Jean-Sébasien Bach de Genèva |
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Lumen 32.046 & 32.047 |
Apr 1, 1937 |
12" 78 rpm |
Recorded in Geneva, Switzerland.
Matrix Nos.: YL-104, YL-105, YL-106, YL- 107.
1st recording of Motet BWV 230 by F. Bodet. |
3 |
Bach: Motet, Komm, Jesu, Komm! BWV 229 [V-2] |
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Motet Komm, Jesu, Komm!, BWV 229 [] |
Francis Bodet |
Cercle Jean-Sébasien Bach de Genèva |
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Lumen 32.048 & 32.049 |
Apr 1, 1937 |
12" 78 rpm |
Recorded in Geneva, Switzerland.
Matrix Nos. YL-100, YL-101, YL-102, YL-103.
1st recording of Motet BWV 229 by F. Bodet.
Source: Joylon: Singers & Choral |
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4 |
J.S. Bach: Motet Jesu meine Freude [V-1] |
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Motet Jesu, meine Freude, BWV 227 [] |
Lehman Engel |
The Madrigal Singers |
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Gamut Set 1 |
1937 |
3 x 78 rpm |
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6 |
J.S. Bach: Motet, Singet dem Herrn; Cantata No. 50; Cantata No. 104
[C-1]
L’Heritage de Carl Schuricht, Vol. 6: Beethoven: Symphonie No. 1 (1938); Mozart: Symphonie No. 34 (1936); Bach: Cantates No. 50, 104 (1938) |
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Cantata Nun ist das Heil und die Kraft, BWV 50 [4:28]
Chorus Du Hirte Israel, höre (Mvt. 1) from Cantata BWV 104 [3:58]
Motet Singet dem Herrn ein neues Lied, BWV 225 [] (on 10" LP only) |
BWV 50, 104: Carl Schuricht
BWV 225: Kurt Thomas |
BWV 50, 104: Berliner Philharmonischer Chor / Berliner Philharmoniker
BWV 225: Choir of the Berlin State Academy |
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Telefunken E-1709 A/B
Capitol/Telefunken L-8077
Dante Productions LYS-178 |
Oct 31, 1934 |
78 rpm / TT:
10" LP / TT:
CD / TT: 53:37 |
Recorded in Berlin, Germany.
Matrix Nos: 020205 [BWV 50]; 020206 [BWV 104]
78 rpm from the private collection of Martha Schuricht & Roger Kurzen. CD produced by Jean-Louis Percot & Bruno Saint-Germain.
Buy this album at:
CD (1997): Amazon.com | Amazon.co.uk | Amazon.de |
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7 |
Bach: Motet No. 1 [V-1] |
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Motet Singet dem Herrn ein neues Lied, BWV 225 [6:25; 5:21; 4:24] |
Kurt Thomas |
Berliner Hochschule Chor |
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Telefunken 2958/9; Ultraphon 22501/2
Capital-Telefunken L-8077 |
Late 1930 (?) |
78 rpm
10" LP issued / TT: |
Recorded in Berlin, Germany.
1st recording of Motet BWV 225 by K. Thomas. |
8 |
J.S. Motet No. 3 Jesus Deares Master <Jesu, meine Freude> [V-1]
Bach: Cantata No. 4 (Christ lay in the bonds of death)
Bach: Cantata BWV 4 & Motet BWV 227 [C-1]
J.S. Bach Motet No. 3 Jesus, dearest master (Jesu, meine Freude); Cantata No. 4 Christ lay in the bonds of death (Christ lag in Todesbanden) [C-6] |
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Motet BWV 227 [24:44] |
Robert Shaw |
Robert Shaw Chorale |
Hugh Porter (Organ); Harvey Shapiro (Cello); Alvin Brehm (Bass) |
RCA Victor
RCA Victor LM-9035
RCA Victor LSC/LM-2273 |
1949 |
10'' / TT: 24:44
LP / TT: 48:06
LP / TT: 51:00 |
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Part 2: Complete Recordings 1950-1959 > |
The list of recordings was compiled by Aryeh Oron (December 2000 - January 2017)
Thanks to contributors: Alan Carrier (March 2010), Teri Noel Towe (April-May 2007) |
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