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The Austrian bass, Alois Pernerstorfer, began his training in 1933 at the Vienna College of Music with Theo Lierhammer and with Josef Krips.
Alois Pernerstorfer made his debut in 1936 at the State Theatre of Graz as Biterolf in Tannhäuser. After three-year activity in Graz he came in 1939 to the Vienna Volksoper. In 1945 he joined the Vienna State Opera, whose member he remained from then. In 1947-1948 was temporarily engaged at the City theatre (Opera House) of Zurich, and afterwards appeared there often as a guest. In Zurich he participated in 1947 in the premiere of the opera Der unsterbliche Kranke by Hans Haug. The artist sang at the Festivals of Edinburgh and Glyndebourne (1951 as Figaro in Le Nozze di Figaro and as Leporello in Don Giovanni) and almost annually at the Salzburg Festival. There he sang in 1948, 1953 as well as 1956-1958 the Antonio in Le Nozze di Figaro, 1957 Orest in Elektra by R. Strauss, 1958 in Vanessa by Samuel Barber, 1959 in Schweigsamen Frau by R. Strauss, 1962-1963 Arkas in Iphigenie in Aulis by Gluck, 1959-1960 in Zauberflöte, 1960 and 1963 in Rosenkavalier, 1964 in Verdi’s Macbeth and in August 1953 in the premiere of the opera Der Prozess by G. von Einem. In addition he appeared in many concerts in the Festival (for the first time already 1937). He appeared in Salzburg in the premiere of Mozart’s La finta semplice. Under the direction of Bernhard Paumgartner followed then appearances with this youth opera of Mozart in the European music centres (Paris, London, Brussels, Germany, Scandinavia). Appearances brought him also to the Milan’s La Scala (1950, Alberich in Der Ring des Nibelungen under Wilhelm Furtwängler), to the Teatro Liceo of Barcelona, to the Grand Opéra Paris and to the Opera (Théâtre de la Monnaie) of Brussels. In the period of 1951-1952 he was member of the Metropolitan Opera New York.
Alois Pernerstorfer also appeared successfully as a concert singer. He was married with the soprano Henny Herze (1906-1993), who had a successful career at the Vienna Volksoper, particularly as operetta singer.
Recordings: Nixa (Don Giovanni), MMS, Philips (La finta semplice by Mozart), Columbia, Bruno Walter Society (Alberich in complete Der Ring des Nibelungen from Milan’s La Scala, 1950). On the label Cetra appeared a complete recordings of Elektra from Salzburg Festival 1957 with him as an Orest, and of Wagner’s Tannhäuser. |
