Index to Discussions of General Topics
Part 4: Scores & Composition; Parodies, Reconstructions, Transcriptions; Musicology & Scholarship

Scores & Composition:

Scores of Bach Cantatas: Part 1 | Part 2 | Part 3 | Part 4 [Scores]
Bach’s Manuscripts: Part 1 | Part 2 [Scores]
Bach’s Markings & Notation
Bach's Sets of Parts
Bach's Signature
Anna Magdalena as Copyist =
Alla Breve
Canons
Cantata Keys
Commas
Counterpoint
Crotchets & Quavers
Dissonance
Double-Dotting
Epanalepsis
Fermata
Ghost(ed) Notes in Bach’s Vocal Works
Incipit
Meantone
Minims: Part 1 | Part 2 | Minims - Examples from the Score
Music Notation Software
Scoring of Bach's Vocal Works
Tierce di Picardie
Trill
Bach Composing: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7
Divine Inspiration
The concept of the great composer / Bach as Baroque Composer
Sonata Development
Writing in the Bach’s Style
Re-Writing Bach
Cantata Style
Cantabile Bach
Chiasm in Bach's Vocal Works
Unison Passages
Passus duriusculus | Score Examples | Source Material
Circulatio | Source Material
Crosses | Score Examples

Parodies, Reconstructions, Transcriptions:

Arrangements of Bach’s Vocal Works: Part 1 | Part 2
Bach on Computers
Completing Bach Work
Parodies in Bach’s Vocal Works: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Annex: Excel Tables
PDQ Bach
Reconstructions
Transcriptions

Musicology & Scholarship:

Beyond Analytical Musicology: Bach's Self-Modeling (August 5, 2019)
Historical Musicology: New Trends in Bach Scholarship (October 4, 2019)

Prepared by Aryeh Oron (November 2000 - October 2019)