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The French-born pianist, Emmanuel Despax, started playing the piano in Aix-en-Provence before joining the Yehudi Menuhin School, then the Royal College of Music in London (2002-2006), studying with Ruth Nye, one of Claudio Arrau’s star students. He won numerous awards during his studies (Chappell Medal, Tagore Gold Medal), and benefited from the advice of Nikolai Demidenko, Leon Fleisher, Yehudi Menuhin, Dominique Merlet, Mstislav Rostropovich, Murray Perahia and András Schiff.
Emmanuel Despax has gained worldwide recognition as a singular artist, whose interpretations bring a rare sincerity and imagination to the music. A remarkable performer of romantic and post-romantic music, he has been invited to give recital performances in the UK (Wigmore Hall, Cadogan Hall, Chipping Campden and Petworth Festivals, and the Royal Concert Hall in Nottingham, where he was appointed artistic director in 2020 of a complete L.v. Beethoven piano sonata cycle); in France (Louvre Auditorium, Salle Cortot, Salle Gaveau, International Festival Les Nuits Pianistiques in Aix-en-Provence, L’été Musical au Poujoula, and Les Nuits du Château de la Moutte in Saint-Tropez); Benelux (Amsterdam, The Hague and the Palais des Beaux-Arts in Brussels); Cyprus (Pharos Arts Foundation); Italy (Fazioli auditorium); and in South America. He is now based in London.
Past engagements include two tours of New Zealand, hailed by critics for his recitals in the prestigious Fazioli International Piano Series in Auckland and concerto performances with the Christchurch Symphony Orchestra. In the UK, Emmanuel Despax has also played with the BBC Symphony Orchestra, City of Birmingham Symphony Orchestra and BBC Scottish Symphony Orchestra, among others. He is also regularly broadcast on Medici TV, France Musique, BBC Radio 3 and Classic FM. His work as a talented broadcaster has included presenting a probing and approachable edition of BBC Radio 3’s Inside Music, and he is already amassing an impressive, critically acclaimed discography.
In addition to his recording of Johannes Brahms' Piano Concerto No.1 with the BBC Symphony Orchestra and Andrew Litton, prior releases include ‘Spira, Spera’ (Bach transcriptions) which was awarded Critics’ Choice in International Piano (“Despax is awe-inspiring in his combination of virtuosity and intellectual grasp”). His concerto debut featured Camille Saint-Saëns's Piano Concerto No. 2 and Stephen Goss' Piano Concerto, and his collection of Frédéric Chopin's Preludes was Classic FM’s “Album of the Week” and awarded five stars in Diapason. Despax also released a piano fantasy based on the themes of The Sound of Music in celebration of the musical’s 60th anniversary.
His latest album, chamber arrangements of F. Chopin’s piano concerti with the Chineke! Chamber Ensemble, was chosen as “Album of the Week” by Classic FM and The Times: “[The result] is entrancing, with piano and string quintet intimately interweaving…Despax’s opening statement arrives like a blast of dynamite. Though he sinks happily into meltingly lovely reverie when Chopin’s intentions allow, he’s driven mostly by dark energy and muscular strength. In doing so, Despax reveals to us the music of a 20-year-old already stretching beyond decorative brilliance towards the powerful expression of contradictory, sometimes troubling emotions.” |
